Fill-Me-In Friday: Best Writing Links of the Week

Photo via Ben Salter (Flickr cc)Is it Friday already? Wow, weeks fly when there's a deadline looming. : )  Today will be a pretty short list since my web surfing time has been limited lately, but I wanted to pass along a few links of awesomeness I came across this week.

But first, an announcement. :) My NEW covers with their new look for my series will be revealed on Tuesday on the USA Today Happily Ever After blog! Yay! Can't wait to share them with y'all. That also means I'm going to need to find some time to update my website and the header because I've got a brand new...uh brand. :)

Alright, on to the links...

On Writing/Publishing:

Screenwriting Tricks for Authors - FREE this week! <-- love this book, go get it

What's New in YA? Mashups via Publisher's Weekly

Author Image | Annie Neugebauer <--should your author photo match the vibe of your books? (I know mine doesn't. But I've got no shot of being dark and sexy in a photo. My non-smiling expression in photos always look like a frog is peeing on my foot.)

NA Alley: Entangled Publishing Announcement <--more news on the New Adult front

 

On Social Networking/Marketing:

The Bookshelf Muse: The Path To 10K In Sales: Strategy, Luck & Mistakes

Who Needs a Platform? | Rachelle Gardner

Author, Jody Hedlund: Is Blogging a Time-Suck for Writers? <--really interesting discussion and points from James Scott Bell on both Rachelle's and Jody's post.

 

For Gits and Shiggles:

This Risotto Gonna F**k You Up, Son via Chuck Wendig - so, so funny. He needs his own cooking show.

EXCLUSIVE Cover Reveal: Maya Banks’s Breathless Trilogy! <--so purty

 

What You May Have Missed Here:

Is Reading the Genre You're Currently Writing Dangerous?

 

That's what I've got for this week. Hope you all have a fabulous weekend! I think I'm going to head out to the TX State Fair for all things deep-fried (cinnamon rolls, grilled cheese, jambalaya, the list goes on.)  :)

 

Is Reading the Genre You're Currently Writing Dangerous?

Photo sent to me by the lovely Stephanie Haefner

There's this thought out there amongst writers that reading something too close to what you're writing poses danger. Why? Because you may lift some idea or concept from a book and incorporate it into your own writing without realizing it--subconscious absorption or something.

So many writers, if they're writing say fantasy YA may stay away from reading any fantasy while they are actively writing and stick to things a little further from home. I get that. It would suck to have someone else's story influence yours too much.

However, here's the thing, if that's the case, then it would be dangerous to read ANY fiction or watch a movie or TV show for that matter. By nature, our stories incorporate ideas we get from things we're exposed to. For instance, if I'm writing my erotic romance, but go see some action film set in Hawaii, it could inspire me to whisk my couple away to the island for a vacation there. There's a difference between inspiration and stealing an idea (whether subconsciously or not). And I think that's where you have to be aware.

 

 

 

But, having said all that, I still read heavily in my genre even when I'm writing it. Why?

 

1. I'm ALWAYS writing.

If you end up doing this for a career, there is very minimal non-writing time, if any. I write every day. I'm under deadlines at least through 2014. If I didn't read romance while I was writing it, I would NEVER get to read my absolute favorite genre. Not acceptable.

 

2. It's important to know what is going on in your genre and what is successful.

This industry is constantly shifting, tastes are perpetually changing. You want to write what you write and stay true to your style, BUT you also don't want to be stagnant or unaware of what is selling. For instance, if you write my genre, you probably should read 50 Shades. Regardless of whether you love/hate/feel indifferent about it, it's important to try to discern what about that book made it such a phenomenon when erotic BDSM romance has been around forever. Keep a thumb on the pulse of your business.

 

3. You learn what is cliche and overdone so you can avoid it.

If you don't read widely in your genre, you may not realize that your SUPER BRILLIANT IDEA has been done a thousand times or that SUPER CREATIVE SCENE is a big fat cliche. 

 

4. You have recommendations to share with your readers.

This is a small thing, but it really does come into play. Many of my readers are new to the genre and they want to know after reading my books, what else is out there that's like this? So if I'm well read in my genre, I can give them some of my favorites, which in turn, helps promote the genre and its authors as a whole.

 

So yes, be aware when you're reading that your mind may try to glom on to something from someone else's book, but don't deprive yourself of the books you love. You're writing this genre for a reason. If someone told me I'd have to give up reading romance if I wanted to write it, I would've found a different job. : )

What do you think? Do you steer clear of reading your own genre when you're writing a new book? Have you ever found yourself accidentally lifting some concept from another book?


Fill-Me-In Friday: Best Writing Links of the Week

Bellagio Fountains

So it's that time of the week. I missed it last week because I was on my mini Vegas vacation (hence the photos), so this will include links from the last two weeks.

Also, you may have noticed (if you're particularly observant) that I've been a bit quieter on the blog and on Twitter lately. This has been by design because I'm under a tight deadline right now and have to put most of my time into that. BUT, it's working. I just tallied last month's word count and I wrote 40k in September. Woot! That's definitely a record for me. Now I have 35k to write by Nov. 1. *breathes into paper bag* So posting may be continue to be a little less regular for a little while longer. 

Alright, on to the links...

*First, I've posted an exclusive snippet of FALL INTO YOU on facebook if you'd like to check that out. (And if you want to follow me there, this is the place I focus on more reader-oriented vs. writer stuff.)

On Writing/Publishing:

What a Concept! Plotting Your Novel Conceptually via Janice Hardy

real actual hilary: Why writing with a book deal is a whole different game

delilah s. dawson: 10 Tips for Barfing a Book

Penguin, 3M E-Book Pilot 3M Goes Live <--Penguin working with a new library ebook service

How to write a bad review - Salon.com

Book Piracy – An Insiders Perspective - Stacey O'Neale's Site

Comparison Doesn’t Work - Books & Such Literary Agency : Books & Such Literary Agency

Co-Authoring: The Good, the Bad, and the Ugly via Rachelle Gardner

Our hotel bed looked like it should be at The Ranch

Calls for Submissions:

Submissions opportunity: one week only…feedback & 6 week response time via Carina Press -- Great opportunity to get feedback

Now acquiring: Contemporary crack at Carina Press <--after reading Angela James' discussion of contemporary crack, I'm starting to think this is what I write, lol. The drama! The angst! The smex! :)

Now acquiring: New Adult at Carina Press <--I just talked about this genre in a post last week (linked below) and here you go, a publisher actively looking for it

 

On Social Media/Promotion/Marketing:

Is Your Author Website Helping You or Holding You Back? | BookBaby Blog

Why Content Marketing is the New Branding | Copyblogger

Does Social Media Sell Books? « Writerland

 

For Gits and Shiggles (and a little panting):

Channing Tatum opens his New Orleans bar “Saints and Sinners” this weekend - NYPOST.com <--why oh why didn't I plan a trip home to New Orleans this weekend??? I'm tempted to send my mother out to the opening with a camera. ;)

Ten Tips for Bringing BDSM Into Your Bedroom by Joey Hill | TheCelebrityCafe.com <--I get asked about this privately pretty often since my books make some readers curious about how BDSM can work in real life. These are some great, practical tips on getting started.

 

At the Marilyn Manson (and Buckcherry) concert

What You May Have Missed Here:

The New Adult Genre: Here To Stay This Time?

Natalie Bahm and Agent Sara Megibow On Self-Pubbing For a Good Cause

7 Things That Make the Chronic Finisher Put Down a Book

Book Deal Squee-ing: More Loving on the Edge On the Way! <--in case you haven't seen me squaking about it all over the interwebs. :)

 

 

That's all I have for you this week. Hope everyone has a great weekend!

 

Book Deal Squee-ing: More Loving on the Edge On the Way!

 

My awesome new stamp for bookplates

 

Every day I realize how lucky I am to do this whole writing thing for a living. But it's one of those jobs that's always a bit of a crap shoot. You never know how people are going to receive your stories or if they're going to be successful or if you're going to keep getting to do it.

Therefore, each time I get to sign on the dotted line to write more books, I don't take it for granted. So thank you to each and every one of you who have bought my books and enjoyed them. You're the reason I'm going to be writing more stories from The Ranch all the way through 2014. : )

Books five and six have sold! 

October 3, 2012
   
   Fiction:
Women's/Romance 
  Roni Loren's next two books in her LOVING ON THE EDGE series, revolving around The Ranch - a private BDSM club in Texas, again to Kate Seaver at Berkley Heat, for publication in 2014, in a nice deal, in a two-book deal, by Sara Megibow of Nelson Literary Agency (World).

 

This means that 2014 will bring you the stories of both Kade Vandergriff (who you meet in STILL INTO YOU and get to see more of in FALL INTO YOU in January) and Colby Wilkes (who shows up subtly in almost every book and has a bigger role in FALL INTO YOU). I can't wait to write the stories for these two. Dates are still floating around but Kade's story will be first, most likely in the Spring of 2014 and Colby's story will be in the fall. (And to see what celebrities I imagine for Kade and Colby inspiration, check out the bottom of my Ranch page.)

AND for those of you who may not be in the States or Canada, rights to CRASH INTO YOU and MELT INTO YOU have sold in the UK and CRASH has sold in France. Woot! So hopefully those editions will be on shelves in the next year or two. : )

Also, big cover news is on the way. I've been talking about it on Twitter, but I'm hoping to share the new covers with y'all in the next few weeks!

That's all for now! 

7 Things That Make the Chronic Finisher Put Down a Book

Tired Runner

Photo by Rennett Stowe

I spent the weekend in Vegas for my birthday and had a fabulous time. It was a short trip but a much needed mental break in the middle of my deadline hell. : ) But this also means I'm a back an older post. This problem I talk about in this post is ongoing for me as I find myself less and less forgiving of an opening that doesn't hook me. 

This year I'm doing the 50/50 Challenge (50 books and 50 movies in a year), and I've been doing decent on my pace--though I probably won't hit 50. But I definitely have put down at least ten books that I started and never went back to. So I'm updating this older post with this year's experience.

***

So up until about a year ago, I had this problem when I started reading a book. Once I peeled back the cover of one, I was compelled to finish it. No matter if I was fully enjoying the book or not. It felt like starting a book was like signing some contract. I bought this book. I've chosen to read it. And now I must read it all. I was the Chronic Finisher.

But then a lot changed in my life. I got a book deal and started writing on deadline. My then angelic two year old turned into an intense three year old. And my reading time shrunk to this minuscule sliver of time. So I found myself putting down books that didn't capture my interest. And then I wouldn't get any reading done because I felt like if I was going to read, I needed to finish whatever book I had started. But I wasn't into that book so didn't pick it up at all.

Well, finally, I came to the conclusion that I had to put the Chronic Finisher in rehab. I was missing out on good books by forcing myself to read ones I didn't love. My reading time is too short and my TBR pile too big to be doing that. So lately, I've been giving myself permission to give up on a book if it hasn't grabbed me by page 50 or so. (I know many of you are less forgiving than that, but three chapters or 50 pages feels about right for me. I give it a shot in case it's a slow starter.)

And each time I put down a book in the DNF (did not finish) pile, the writer in me wants to evaluate WHY I didn't feel compelled to finish it. What was bad enough to defeat the chronic finisher? Here's what I've discovered.

What Makes Even the Chronic Finisher Put Down a Book

 

1. Didn't connect with the characters

If I can't relate to the hero or heroine at all or if I don't like them, I find it next to impossible to get into the book. I must be emotionally connected by chapter 3 at the very latest. This is probably the most common reason I put a book down.

2. There was no chemistry or not enough build-up between the hero and heroine in a romance.

Obviously, I write sexy romance and enjoy reading it. But nothing will bore me quicker than throwing two people together when there hasn't been any tension or chemistry set up beforehand. This doesn't mean you can't have the characters get together quickly, but the author better have done a fabulous job building up that tension. (Liberating Lacey by Anne Calhoun comes to mind for a great example of how to do this right. The characters have a love scene very quickly, but the setup and chemistry are FABulous so it feels like the right time.)

3. This feels familiar...

Tired plots and clichés. Last year, this has happened most in the YA paranormal genre for me. If a book is going to have a girl meeting dangerous, mysterious new guy--there better be a helluva twist to make it different from all the other stories out there like that. 

4. The BIG secret is the only sense of tension in the book.

I am fine with a secret in a plot. That can be great. (And by secret, I don't mean twist we don't see coming. That's something different. I mean we, the readers, know there is a secret.) But what I will not put up with for long is a book that drags out revealing what the BIG secret is to the reader for no apparent reason but to pull you along. This is when characters keep almost revealing what the big, bad thing is, but then someone walks into the room and interrupts them. Gah! I'm much more a fan of where the reader may know the character's secret early on, but the hero or heroine is keeping it from another character for good reason.

5. Bad writing

I know I'm picky. I'm a writer so I'm going to see things now that I wouldn't have probably picked up when I was only a reader. For instance, an opening scene where the character is looking in a mirror and describing herself is cliche. Writer me groans. A reader may not care. Or if there is lots of telling and no showing, I'll get turned off by it. A few of these things here and there won't necessarily make me put down a book, but a consistent appearance of things like that will make me close the book. (And if it's exclamation points on every page, I'll close it regardless since it's a pet peeve of mine and usually indicates beginner writing.) With all the publishing options out there, I've grown a bit more careful and am reading sample pages. Because some books are edited and some you can tell are by a first time writer who let their Aunt Ruth "edit".

6. Nothing to get passionate about

This one is new for me and a little harder to define. I've started to read books that were...fine. The writing was good, the characters were interesting enough, there wasn't anything I could point to that was bad. BUT at the same time, when I put these books down, I didn't find myself thinking about the book or that desperate to get back to it. I didn't feel passionate about anything in the book. It's kind of a "I could take it or leave it" feeling. Like, if I had nothing better to do, I'd read it. In the past, these would've been books I'd make myself finish. Now I'm at the point that I just move on. The TBR pile is too big to waste time on something I'm ambivalent about. (This is also the one that drives me most crazy as a writer because I want to know WHY I'm ambivalent so that I don't make those mistakes in my own writing.)

7. *Yawn* Boring....

This one is obvious I'm sure, but I need a book to hook and excite me. If I'm at page fifty and I don't give a crap what happens, then you've bored me. You should have me by chapter one. If the book goes on and on with description and setting up characters and not giving me any true action or conflict, I'm bored. Maybe that's a result of our fast-moving culture, but it is what it is. A book is entertainment, so entertain me. Dance, monkey, dance. :)

All right, so those are my top reasons for putting down a book. What are some of yours? How long do you give a book to hook you? Are you a chronic finisher?